Festival of Appliqued Cherries.

On This Day in History Quilt for March 27:

On this day in 1912, First Lady Helen Taft and Japanese Viscountess Chinda planted two Yoshina cherry trees on the Potomac River bank in Washington, D.C. The trees (3,000 of them) were a gift to the U.S. government from the Japanese. The blossoming trees were so popular that in 1934, city commissioners sponsored a 3-day celebration during the late March blooming of the trees. The Cherry Blossom Festival is now celebrated annually. In 2012, more than 1.5 million visitors attended the Centennial Celebration of the Gift of the Trees.


Levina Thomas Stone, of the Five Points Community near Lamesa, Texas, made this Cherry Quilt between 1929-1930. Stone hand pieced, appliqued and quilted this quilt, that includes 1,200 stuffed dimensional applique cherries, “each perfectly round.” From this quilt record: “The quilt maker’s granddaughter notes that her grandmother lived in a cotton-growing area during the Depression. She picked cotton to earn money for her family’s needs and made clothing for her family.” The quilt was documented during the Texas Quilt Search and included in the book “Lone Stars: A Legacy of Texas Quilts, Vol. 1, 1836-1936 (Bresenhan and Puentes, Austin: University of Texas Press).


View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view.


Quilt Index partners

Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance

This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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