Crazy for St. Louis!

On this day in 1904, the first modern Olympic games to be held in the U.S. opened in St. Louis, Missouri. The World Exposition was held at the same time in the city, which overshadowed the poorly organized games. Since there were few entrants, and most were from the U.S., American athletes won most of the awards.

Sue Dee Grainger Brown of Houston, Texas made this stunning hand pieced, embroidered and embellished Crazy Quilt in 1886. The Quilt Index record states, “Family history on this quilt states that it won first prize a the St. Louis World’s Fair.” Brown’s family members documented the quilt during the Texas Quilt Search. The quilt is included in the book Lone Stars: A Legacy of Texas Quilts, Vol. I, 1836-1936, by Karoline Patterson Bresenhan and Nancy O’Bryant Puentes (Austin: University of Texas Press) and was included in an exhibition by the same name in the Texas State Capitol Rotunda, Austin, Texas, April 19-21, 1986.

View this quilt on The Quilt Index to read more about it’s history, design and construction. Be sure to use the zoom tool for a detailed view.

Sources:
http://www.history.com/this-day-in-history/first-american-olympiad

Quilt Index partners

Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance
amy.milne@quiltalliance.org

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This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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