A Crib Quilt to Remember.

On this day in 1982, the Vietnam Memorial, designed by Yale University architecture student Maya Lin, was dedicated in Washington, D.C. The monument is a simple v-shaped black granite wall inscribed with the names of 57,939 Americans who died in the war, arranged in order of the date of their death versus their rank.

This Double Irish Chain Crib Quilt was entirely handmade by an unknown quiltmaker in 1830 and was purchased for the Rocky Mountain Quilt Museum from Kathi LaTourette of Evergreen, Colorado through memorial donations for Staff Seargant Joshua Ryan Hager, the son of a museum member who was killed while serving in Iraq in 2007.  LaTourette lost her first husband in the Vietnam War and had a son who also served in Iraq.

RMQM is so pleased to house this crib quilt as a symbol of a mother’s love for her child, and in keeping with that, as a symbol of new life that each child begins. Last, in tribute, that we may be reminded always, that mothers before, in the present, and mothers still to come, have and will lose their children to war.

View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt.


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Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance

This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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