The Object of My Affection.

On this day in 1934, aspiring dancer Ella Fitzgerald, intimidated by other competitors, changed her act to singing at the last minute and won the Amateur Night at Harlem’s Apollo Theater. Fitzgerald was only seventeen years old and a ward of New York State at the time, having been orphaned two years before. After a failed first attempt singing “The Object of My Affection”, the singer’s second try at the tune brought down the house.  By the 1950’s, Fitzgerald had become a jazz legend for her innovative vocal skills.

Michael Cummings of New York City machine appliqued this 96” x 68” quilt, titled “African Jazz Series #10,” in 1990.  The quilt was included in the 1992 exhibition, “Louisville Celebrates the American Quilt: Always There – The African American Presence in American Quilts” in Louisville, Kentucky. It was documented as part of the Kentucky Quilt Project.

See more of Cummings’ Jazz Series here.

View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt.


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Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance

This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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