Laguardia and the Ladies Auxiliary.

On this day in 1954, Ellis Island shuts its doors. The immigration gateway that opened in 1892 processed more than 12 million people with a peak occurring from 1892-1924. The island was name for its owner in the 1770’s, Samuel Ellis.

This Navy Signature fundraising quilt was made by the Ladies Auxiliary, Fleet Reserve Association, Unit No. 5 in Norfolk, Virginia between 1941-42. It contains 35 blocks and over 400 embroidered names, including that of NYC Mayor Fiorella Laguardia. From the age of 25-28 Laguardia, whose father was Italian and whose mother was Jewish of Austrian heritage, worked as an interpreter for the U. S. Immigration Services at Ellis Island.

Detail from Quilt Index record.

Detail from Quilt Index record.

Karen Biedler Alexander of Lopez Island, Washington, owns the quilt and contributed her photos and research to the Quilt Index as part of the Signature Quilt Pilot Project.

View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt.

Source:
http://www.history.com/this-day-in-history/ellis-island-closes


Quilt Index partners

Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance
amy.milne@quiltalliance.org

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This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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