A Dancer and a Quilt from Washington.

On this day in 1936, postmodern dancer and choreographer Trisha Brown was born in Aberdeen, Washington. Brown founded the avante-garde Judson Dance Theater in 1962. She has collaborated with artists Robert Rauschenberg and Laurie Anderson, including the piece “If you couldn’t see me” (1984) danced entirely with her back to the audience. Brown was the first female choreographer to receive the coveted MacArthur Foundation Fellowship “Genius Award.”

Allison Ann Aller  created this 16” x 16” crazy quilt titled “Hungarian Medallion” in Washougal, Washington for the Quilt Alliance’s 2014 Inspired By contest/exhibition/auction. Allie wrote in her artist’s statement:

I love Broderie Perse and medallions quilts, so the quilt I chose for my inspiration was the perfect jumping off point. Because I am a crazy quilter, I am used to working in three dimensional surface design, so including such embellishment was inevitable! The colors of course came from the happy Hungarian embroidery that is the focus of the quilt. It is bound in vintage velvet ribbon.

View this quilt on The Quilt Index to find out! Read more about its history, design and construction. Be sure to use the zoom tool for a detailed view or click the “See full record” link to see a larger image and all the data entered about that quilt.


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Amy Milne headshot

Posted by Amy E. Milne
Executive Director, Quilt Alliance

This entry was posted in On this Day in History Quilts series and tagged , , , by quiltalliance. Bookmark the permalink.

About quiltalliance

The Quilt Alliance is a nonprofit 501c3 organization established in 1993 whose mission is to document, preserve, and share our International quilt heritage by collecting the rich stories that historic and contemporary quilts, and their makers, tell about our nation's diverse peoples and their communities. In support of this mission, the Alliance brings together quilt makers and designers, the quilt industry, quilt scholars and teachers, and quilt collectors to further the following goals: To promote the understanding of the quilt as an important grassroots art form. To make information about quilts available to a broad public. To educate the public about the importance of documenting quilts and quiltmakers so that their stories will not be lost.

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